Following a single and a sold-out UK headline tour in December 2015, TAX THE HEAT are pleased to announce the release of their full length Nuclear Blast Entertainment debut, Fed To The Lions.

The album shows why there is so much excitement at the release of this record. Previous singles “Some Sympathy”, “Highway Home” and “Fed To The Lions” sit alongside future classics such as “Caroline”, “Animals” and “Stood On the Platform To Leave”. The driving rhythms of Jack Taylor (Drums) and Antonio Angotti (Bass) overlaid with the powerful riffs of JP Jacyshyn (Guitars) and distinctive melodies of Alex Veale (Vocals, Guitars).

Tracklisting as below:

Highway Home

Animals

Under Watchful Eye

Fed To The Lions

Hit Me Hard

Stood On The Platform To Leave

Some Sympathy

Devil's Daughter

Learn To Drown (You’re Wrong)

Caroline

Your Fool

Lost Our Way

2015 was an intense year for Bristol’s rising stars Tax The Heat. Following the release of two critically acclaimed singles “Fed To The Lions” and “Highway Home” (both of which were playlisted across rock radio – A listed on Planet Rock) the band have cemented their live reputation by supporting the likes of Cadillac 3, Reef, The Graveltones, Black Star Riders, Masters Of Reality, The Virginmarys and Thunder and festival appearances such as 2000 Trees, Download and Calling. The band’s unique blend of classic blues driven rock with a modern alternative twist winning them a legion of fans.

The band have now signed a deal with Nuclear Blast Entertainment (home to acts such as Blues Pills, Black Star Riders & Crobot).

Guitarist/vocalist Alex Veale says: “We love the energy of those ’60s bands. Maximum R&B – that’s the basis for Tax The Heat. But we’re taking it somewhere else, bridging the gap between old and new, creating something that has that raw energy but is also original.”

“It was all about capturing that live energy on the record,” says Jack Taylor. “We didn’t want to go fully old-school with it – we used modern technology. But what you hear on the album is the four of us playing together, no overdubs. A lot of live takes.”

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