Los Angeles, CA – On Saturday April 2nd, the Canadian Academy of Recording Arts and Sciences held the 45th annual Juno Awards in Calgary, Alberta. The awards recognize the best of Canadian music from the past year and winners of the night included Justin Bieber, The Weeknd, Death From Above 1979, and more. Dim Mak’s Keys N Krates won the coveted “Dance Recording of The Year” award for their massive single “Save Me (Feat Katy B).” The track has surpassed 3 million Spotify plays and Pitchfork called it, "Not just the upper echelon of Katy B tracks, but also the top-tier of Keys N Krates' catalog to date." The news comes on the heels of a sold out hometown performance at Toronto’s Danforth Music Hall, in support of their latest EP,Midnite Mass, which captivated the #1 spot on iTunes' Dance Top Albums Canada Chart.

 

Since the EP’s January release, Keys N Krates have been performing live across North America. After enlisting Stooki Sound, Jesse Slayer, Hermitude, and Ganz, the guys set out on the Midnite Mass Tour. The dates included stops at venues such as Paradise Rock Club (Boston), Terminal 5 (New York City), Concord Music Hall (Chicago), The Fonda (Los Angeles), with several sold-out shows. In between the hectic tour schedule, the guys talked to Entertainment Weekly about the music that helps them chill out in their downtime. Click below to check out their curated playlist: http://www.ew.com/article/2016/03/16/keys-n-krates-playlist

 

Additionally, Keys N Krates found time to drop the official music video for “U Already Know.” One of the strongest singles on Midnite Mass, the track has drawn praise from The Fader, Stereogum, This Song Is Sick, and several other publications. Check out the video on YouTube: https://www.youtube.com/watch?v=AGf7i5eG0O8

 

Be sure to catch Keys N Krates on the road this spring and summer as they continue to bring their dynamic show around the world. They’ll be at most of the major festivals this summer including Bonnaroo, Mysteryland, Camp Bisco, WayHome, Oseaga, Pukkelpop, and HARD Red Rocks. Full tour dates below and for updated information please visit: http://www.keysnkrates.com/tour

 

Keys N Krates Tour Dates:

4/20 – Upstate Concert Hall – Clifton Park, NY

4/21 – Soundstage – Baltimore, MD

4/22 – Cain’s Ballroom – Tulsa, OK

4/23 – Something Wonderful – Dallas, TX

4/30 – Exchange – Los Angeles, CA

5/29 – Audio on The Bay – Richmond, CA

6/9 – Bonnaroo – Manchester, TN

6/10 – Mysteryland – Bethel, NY

6/23 – Electric Forest – Rothbury, MI

7/11 – Festival d’ete de Quebec – Quebec, Canada

7/14 – Camp Bisco – Scranton, PA

7/22 – WayHome – Barrie, Canada

7/29 – Osheaga – Montreal, Canada

8/4 – Red Rocks – Morrison, CO

8/7 – Shambhala – Salmo, Canada

8/11 – Summer Meltdown Festival – Darrington, WA

8/19 – Pukkelpop – Hasselt, Belgium

 

About Keys N Krates: While it may look that way on stage, nothing is ever simple with Keys N Krates. Not when everyone has an equally valid opinion, along with the willingness (no, the all-consuming need) to sit and scrutinize a hearty 808 hit or laser like synth line for hours on end.

 

It's been this way since the very beginning, when Keys N Krates went from being a live hip-hop band reliant on rough acapellas and memory-jogging remixes to something much more complex - a tight-knit trio of producers/performers - Turntablist Jr Flo, Keyboard player David Matisse, drummer Adam Tune - who take rocking a party as seriously as a week spent in the studio. "We always trade roles from song to song," explains Jr. Flo. "It's not uncommon for Matisse to flip a sample, or for me to write a melody, or for Tune to chime in on the mixing of a track. It's not the fastest way of working, but everyone has a say in everything."

 

Which explains why their breakthrough singles (the elastic loops and diamond-edged drums of "Dum Dee Dum," the head rush hooks of "Treat Me Right," a frantic, D'n'B-flavored "Are We Faded") are able to pull the strings of packed festival crowds without resorting to tired EDM tropes. Hip-hop, house and UK bass music all play a role in a Keys N Krates record, but so do the dark-tinged dynamics and widescreen ways of indie acts like Caribou and M83. "Seeing M83 live at the Osheaga festival changed our whole perception of how their music translates live," says Jr. Flo. "The chord progressions are beautiful and catchy but never corny. It's pop music at its best."

 

That was essentially the goal with the Toronto group's new Midnite Mass EP: cuts that are calibrated for clubs but that can translate beyond. Punchy and powerful. Emotional and epic. That goes for everything from its title track (an intro that sounds like a suspenseful thesis) to a Katy B collab ("Save Me") that'll beam old-school ravers straight back to the '90s. And then there's something as deceivingly simple as "Love Again," a soulful rap beat created from scratch and such artful details as the orchestral flourishes of Ouici and the gospel vocals of a friend named JP. Let's just say it's no coincidence that the song sounds like it sampled a dust-caked '70s record from a long-buried discount bin that Just Blaze or Kanye might find and flip; Keys N Krates want to leave you wondering just how they do it.

 

"We wanted people to wonder where we got a lot of the sounds for this EP, the same way we have when listening to producers like Just Blaze and Timbaland. Those guys have always used source samples or sounds that leave you scratching your head. We love that simplicity; it's like true Italian cooking, a few ingredients to make something so impactful.... Beats that leave you wondering 'where the fuck did he get that sound from?'"

 

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