Title track “Unholy” sees the Barbados-born, LA-based artist twang with sinful playfulness over blues rock attitude. Saint funks-out on “Use It,” meshing a bouncy, R&B-tinged bassline with pop-infused neo-soul. It’s followed by the appropriately titled “Sexy,” a libidinous R&B romp that drips of love, lust, and desire, which recently premiered via Afropunk.

On “Big Shoes,” a confident Saint struts with gusto as he mixes piercing piano balladry with blossoming crescendos amidst a cinematic backdrop backed by powerfully soulful vocals. Closer “Fire & Gold” turns an acoustic beauty into a full-fledged, undeniable rock with swagger.

Armed with a versatile voice, powerful stage presence, a unique lyrical perspective, and raw, unfettered talent, Bobby Saint is not just one to watch; he’s one to watch out for.

Listen to Unholy Now

“This EP is about freedom, growth, spirituality, views of self, city nights and love. It’s about keeping the fires lit, raising consciousness, while bowing down to the greats: Bob Marley, Curtis Mayfield, Marvin Gaye. This is me going forward with only love and the funk in my heart.”  - Bobby Saint

If you haven’t heard of Bobby Saint, but you’ve been on a dancefloor in the past year, you’ve definitely heard him. Saint has built a name for himself as a master collaborator. The multi-instrumentalist, production whiz, and and sonic wunderkind burst onto the scene last year with Upload (June 2016) his joint EP with electronic duo Penthouse Penthouse (Team Supreme) ft. the soulful retro-futurist breakout single “69 Camaro” (1.2 Million streams across Soundcloud,  Spotify, and YouTube).

Additional guest appearances on cult hits such as “Six A.M.” (Pantyraid)  (500K on Spotify),  “Outlaws” (PLS&TY) (325K on Spotify), “Twisted Love” (Bastion) (231k on Spotify) followed, but it was Saint’s star tune on “Black Bamboo” (225K on Spotify) by With You - aka M.I.A., Santigold producer Switch - that cemented his one-to-watch status. “Black Bamboo” was quickly added to heavy rotation following its premiere on Zane Lowe’s Beat 1.

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